‘Metronomy Forever’ is the group’s 6th album. Most groups would have run out of ideas by then, but this album proves that Metronomy are still one of the most inventive, consistent bands in the world, with the project bearing several of their best songs to date.
The album kicks off with a short, dreamy instrumental piece called ‘Wedding’, with distorted church bells and synths being foreshadowing for the themes of this album, and one of it’s strongest tracks. ‘Whitsand Bay’ opens the album proper, and it’s a perfect blend of Metronomy old and new, with a low key, spoken chorus over an ever-shifting instrumental.
‘Insecurity’ is one of the highlights on the album, Joe gets straight to the point about said insecurity and the feeling that it could be one of the only constants in his life. A bursting guitar riff and catchy synth lines throughout the track make it really difficult to shift from your head. ‘Salted Caramel Ice Cream’ is almost annoyingly good. It sounds like a mixture of Crazy Frog and Mika, but it’s one of the best tracks Metronomy have ever put out; it’s a perfect pop song.
‘Lately’ is another of Metronomy’s best ever songs in my opinion. The layers of instruments build up throughout the track to an amazing shower of synths, and the off-kilter melody in the chorus is nothing short of magical. Another great track comes in the form of ‘Sex Emoji’, a bittersweet tale of an online relationship told through a groovy synth-pop tune.
There are a handful of instrumental tracks on ‘Metronomy Forever’, and the standout for me is ‘Miracle Rooftop’, which is perfect to completely zone out to and look out the window, and I mean that as a great compliment. ‘Wedding Bells’ sounds almost like Metronomy doing a Bruce Springsteen song, and it works amazingly, and is another absolute earworm.
It’s so refreshing to see a band at this level in their career improve with every release. This is the best Metronomy album to date. Metronomy Forever indeed.