KCTMO is the debut single from new London band Pozi, written during the aftermath of the Grenfell tower fire.
The track itself is a brutally honest, open-hearted encounter of what it was like to be near Grenfell at the time, and the anger Vocalist & Drummer Toby Burroughs felt; with lyrics like ‘Deadly damages are due’ Pozi aren’t holding back. Good.
Sonically, the track comes in somewhere halfway between the Maccabees and The Streets. ‘KCTMO’ has an irresistible bassline and a pounding drumbeat that really grab your attention, and the haunting violin that creeps in throughout keeps you hooked.
Very promising stuff for a debut single.
Pozi have 2 upcoming London shows:
31 Oct – London, The Curtain Hotel (PRAH Halloween Party)
27 Nov – London, Moth Club
The Nottingham three piece’s second effort sees them grow in confidence and scale, with ‘Strange Entertainment’ being a confident, varied album. Every track on the album is different in pace and tone, but it still flows really well and feels like one coherent piece.
Opener and album highlight ‘Egg Hunt’ starts off with just vocals and bass before developing into a really groovy track with a great, catchy jangly riff that hasnt left my head in a few days.
‘It’s Not My Day’ is another fave off the album it being one of the heavier moments on Strange Entertainment, with very strong vocals from Lucy over a slow but punky backing, with brilliant creative drum patterns on this track.
Monsieur Automaton is another great track, and another change of pace with this being perhaps the fastest track on the album, and I love the harmonised vocals on the verses a lot here. Closer ‘Strange Was the Time’ is another growing, progressive track that shows off just how good the trio are musically.
With great production, variety and just banging songs throughout this is exactly the album Kagoule needed to make, and they pulled it off.
Kagoule have some upcoming UK tour dates:
Oct 31st – Leeds – Wharf Chambers
Nov 01st – Manchester – The Eagle Inn
Nov 02nd – Liverpool – EBGB’s
Nov 03rd – Nottingham – Rescue Rooms
Nov 07th – Margate – Tom Thumb Theatre
Nov 08th – Brighton – Prince Albert
Nov 09th – Portsmouth – The Loft
Nov 10th – Southampton – Heartbreakers
Nov 11th – Bristol – Rough Trade
Nov 19th – London – Moth Club
Self Esteem- Rollout: The strongest track from Rebecca LT so far in my opinion. A great hypnotic melody with great harmonies over a great, funky percussion track. Very promising for a debut full length. 90%
Ian Brown – First World Problems:It’s good to have the monkey man back, with a new solo album coming next year. This new track is a groovy number, and Ian’s voice sounds on top form. Very exciting. 84%
Razorlight – Carry Yourself:A fairly pleasant, non threatening indie tune from Razorlight here, its not bad at all but it would fit in perfectly in a sofa sale advert or the opening of a cookery show. 70%
Lauren Jauregui – Expectations: A smooth, soulful slow jam from Lauren J here that really showcases her strong vocals; showing real emotion and passion while maintaining good control. Gooood. 80%
Cardi B – Money:Not a fan of this one at all. Usually Cardi has some funny bars that show she is still down to earth but this just seems like a big brag-fest. 20%
Peter Raeburn – Note To Self: A lovely, thoughtful collection of songs from Peter here. Sounding somewhere inbetween Fleet Foxes and I am Kloot, ‘Note To Self’ has great, stripped back production. ‘Never Gone’ is an album highlight for me, with haunting harmonies throughout. 80%
Time ‘n’ Place is the second studio album from experimental British 3 piece Kero Kero Bonito, who on their debut EP ‘Intro Bonito’ and subsequent first album proved themselves to be one of the most exciting, inventive new groups around. Drawing from a wide range of influences, ‘Bonito Generation’ was a bright, colourful record.
Based on the opening track ‘Outside’, it is clear that KKB have not just made a ‘Bonito Generation 2’, with it being more guitar based and instantly heavier than most things on their debut. Don’t worry, the band’s charm is still here in abundance on Time ‘n’ Place, with KKB developing their sound while not losing any of what made them great the first time around.
‘Time Today’ is an early album highlight, with Sarah happily singing about how she has a day to herself. The album continues very strongly into ‘Only Acting’ which details how Sarah feels while performing live over a nice pop-punky backing, that brilliantly self destructs towards the end.
The whole album is just as strong, most songs telling specific, on the nose stories over innovative beats and utilising Sarah’s unique vocal style perfectly, with ‘Dump’ being a nice little story about a rubbish dump, and ‘Dear Future Self’ being a letter to future self.
Closing track ‘Rest Stop’ begins sounding like the end credit music to an old Sega game like Nights or Alex Kidd before exploding into what is essentially a few minutes of noise music with Sarah faintly singing in the background before fading out to just Sarah. Odd, but it works. Good.
Another project from the man who never stops making music, Damon Albarn, is on the Horizon, with the second The Good, The Bad & The Queen releasing in November. ‘Merrie Land’ is the title track, and the first new music from the group since 2007.
Sounding halfway between early Blur and The Magic Whip, this first glimpse of the album is a very promising one. Melancholy lyrics about the state of post-brexit UK set to a carnival-esque instrumental. No idea how he had the time to make something this good whilst being on tour non-stop for the past few years.
The Good, The Bad & The Queen have been gone a long while, but they came back at the right time.
Ash played at the Sheffield Leadmill on Tuesday 16th October, with support from Death by Unga Bunga.
Death by Unga Bunga were one of the most entertaining opening acts I had seen in a while, with non-stop energy throughout their set, while still performing great musically. Check them out if you can.
Northern Irish rock trio Ash performed a lengthy set, but at no point did they show any signs of drifting off, with even their new album tracks pleasing the crowd.
The earliest highlight for me came in the form of a blistering rendition of ‘Kung-Fu’, and the whole set was filled with hits, reminding me just how many they’ve had over the years, with the likes of ‘Oh Yeah’, ‘Goldfinger’ and ‘Angel Interceptor’ all coming thick and fast in the first half of the set.
This tour is in support of their latest album, ‘Islands’, and while they did play a fair number of new tracks (6), they slotted in perfectly with their greatest hits and fan favourites, especially ‘Confessions In The Pool’ and ‘Did Your Love Burn Out’.
Ash put on a memorable performance, and the quality of the whole set is a real testament to just how good they still are. They seemed to be enjoying themselves on stage too, which is the most important thing.
Charli XCX & Troye Sivan – 1999: An over the top, 90’s inspired pop track with a really irresistible hook, and great production. Exactly what I expected, and wanted from a collab between these two. 90%
Anderson .Paak & Kendrick Lamar – Tints: Great performances by Anderson and Kendrick on this effortlessly smooth synth-funk track, that fittingly sounds like driving round a city at night. Very nice. 93%
Jaden Smith – Goku: An unexpected banger from Jaden here. I didn’t realise he could actually rap, but this new cut from his upcoming ‘Sunset Tapes’ project is actually pretty solid! 80%
Mutual Benefit – Come To Pass: A really pleasant, breezy track with a melancholy undertone taken from Mutual Benefit’s new album, Thunder Follows the Light, which is out now. Love the vocals on this too, 85%
Roses Gabor – Stuff: ‘Stuff’ is a dark, synthy cut from Roses, and the minimalist beats and production on the track really fit well with her echoey vocals. Very vibey. 80%
Kiran Leonard – Unreflective Life: A great new track from Kiran, giving me a kind of Mystery Jets meet Doves vibe, and i’m really here for it. Always a good sign when a 6 minute long song keeps my attention. 80%