New Release Roundup 9th August 2019

Oddity Road – Night Like No Other: This new single from Sheffield indie lads Oddity Road is their strongest yet. Strong 2000s pop-punk influences here, with heavy riffs and pounding drums on the chorus, which is extremely catchy. Very nice. 80%

Katy Perry – Small Talk: A forgettable track here from Katy, sounds like an album filler track that she could knock out in a few minutes. Like a phoned in performance for a movie soundtrack. 30%

Temples – You’re Either On Something: I have had this song in my head constantly since I first heard it’s main hook. ‘You’re Either On Something’ has amazing vocal production over a trademark Temples catchy melody but with a more focused sound than their previous efforts. 91%

Nikita Bassi – Satin: This is the debut single from Nikita, and ‘Satin’ shows real promise. A beautiful, low-key ballad with a soft twinkly instrumental paired with Nikita’s strong but delicately controlled vocals makes for very pleasant listening indeed. 90%

Keane – Love Too Much: This is very, very bad. Keane had a few (2) good singles back in the day but this sounds like a Take That album track. 10%

Spector – Half Life: This new Spector tune, their second single this year, is a great, shimmery piece of indie synth-pop. It really bops along with bouncy synths and a groovy bassline; very promising for a potential new full length project from the lads. 82%

Mystery Jets – Screwdriver: An amazing new single from Mystery Jets, Screwdriver sounds massive. Could almost be a (good) Bond tune kind of massive. Gritty riffs and poignant lyrics and constantly shifting speed and tone, this is simply great. 95%

The Big Moon- It’s Easy Then: A great grower of a comeback single from The Big Moon here! With a slightly fuller sounding, mellower production than their debut album, “It’s Easy Then” makes me very excited for a new project from them. 85%

Love Fame Tragedy – Backflip: ‘Love Fame Tragedy’ is a new project from Matthew, frontman of the Wombats, Gus from alt-j, Joey from Pixies, Matt from Soundgarden and Lauren Aquilina. ‘Backflip’ is an understated perfect piece of groovy indie-pop that lives up to the hype all those names bring. More please. 90%

Nykki – No Cry (Stripped Version): This stripped version of rising Czech pop star’s debut single ‘No Cry’ shows a different side to the track, really highlighting her strong vocals and the strength of the song at it’s core. 80%
Dram ft. H.E.R. & Watt – The Lay Down: The combination of these three together and a really soulful, chill instrumental backing makes for extremely smooth listening. One of the strongest R&B tracks of the year so far, with the vocal harmonies on the cut being exceptional. 91%

Papur Wal – When He’s Gone: This new tune from Welsh indie outfit Papur Wal starts off as a really intimate, acoustic ballad before bursting into a wall of lo-fi, distorted riffs and off-kilter vocals. Love it. 83%

CRAY – idontwannatalkaboutlove: This new single from Cray is an essential synth-pop bop. Irresistible synth grooves and loops back Cray’s smooth, but powerful vocals. It’s not too over the top either, a really great, focused track. 92%

Leadley – Chic: Her first single since last year’s self titled EP, ‘Chic’ is a smooth, catchy new single from ‘Leadley’, with the minimalist drum backing and subtle synths peppered throughout highlighting the strength & tone of her voice. Nice. 90%

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Track Review: Noel Gallagher’s High Flying Birds – This Is The Place

Following on from his subdued, groovy ‘Black Star Dancing’ EP, Noel has just announced another EP, with ‘This Is The Place’ being the title track from it.

Similar in vein to ‘Black Star Dancing’ ‘This Is The Place’ is very groove based, with a deep bassline being the heart of the track.

The layers of percussion, synths and backing vocals slowly build up throughout the track to create a song that is a brilliant fusion of northern soul and modern dance music.Very much a toe tapper, this one.

This is a complete change from his first two solo albums which seem drab and predictable in comparison to his last full length and subsequent singles. Noel’s voice sounds as strong as ever, and judging by his current output, his creativity and talent for songwriting hasn’t faded either.

85%

New Release Roundup 2nd August 2019

Elbow – Dexter & Sinister: Manchester’s nicest band return with, as is usual for them, a nearly 7 minute long track. However, ‘Dexter & Sinister’ sees Elbow going back to the sound of their earlier albums whilst also sounding reinvigorated; Guy’s standard lovely vocals are paired with an instrumental that sounds spacious and cinematic but also a great deal of urgency, with the track’s long run time zooming by. 90%

Foals – Black Bull: This is the first track revealed from the second album of Foals’ ‘Everything Not Saved Will Be Lost’ double album and they aren’t playing around. It’s an absolute banger, and one of the best tracks Foals have ever released. Heavy, angry and precise, this is what rock music needs right now. Very excited for this album. 97%

Ariana Grande & Social House – Boyfriend: Ariana continues her streak of great releases with this new single with help from her Thank u, Next co-writers Social House. ‘Boyfriend’ sees Ari and Social House both deliver very smooth vocals over an almost electro swing instrumental, with a catchy hook and great chemistry between everyone on the track. Will Ari release a bad song any time soon? Hope not. 93%
Haim – Summer Girl: The first new track from Haim since 2017’s ‘Something To Tell You’, ‘Summer Girl’ is a very chill, jazzy and aptly summery number which has an insanely catchy ‘do do do do’ based chorus that is very hard to shake from your head. Very pleasant indeed. 90%

Brockhampton – I Been Born Again: The world’s greatest boyband™ drop yet more new music, with ‘I Been Born Again’ being a straight up rap banger. As is usually the case, each member of the group brings a great verse to the track. This gives me more Saturation vibes than Iridescence so there’s no real telling where they will go next. 80%

Newmoon – Collide Into Me: ‘Collide Into Me’ is a rather lovely piece of dreamy indie-pop from Belgian band ‘Newmoon’. This is the first track to be revealed from upcoming album ‘Nothing Hurts Forever’, coming out in October. Can’t wait. 83%

Raye – Love Me Again: This new single from Raye is unfortunately a bit forgettable. It’s nice enough but doesn’t stand out from the crowd at all and sounds a bit like a bad Sam Smith song. 50%

Tove Lo ft Alma – Bad As The Boys: This sounds like a reject Marina & The Diamonds song & sounds like so many other tracks out there at the moment. Very forgettable. 20%
Mermaidens – Millenia: This is the second track to be released from Mermaidens’ upcoming album Look Me In the Eye, out September 6th, and it’s a great shoegazey, gloomy, groovy tune with captivating vocals and a really addictive drum beat. 80%

The S.L.P. – The Youngest Gary: Another great tune from Serge Kasabian’s upcoming solo project! ‘The Youngest Gary’ is a more synth-driven track than the previous 2 releases but it’s still got that trademark Serge groove and his unique vocals work really well here. Looking forward to this album a lot. 75%

Ava Max – Freaking Me Out: ‘Freaking Me Out’ is a solid, v catchy pop bop from Ava here with a really great vocal performance. 69%

Husky Loops – I Think You’re Wonderful: This is really horrible. The sample/hook on this is really abrasive to listen to and the verses sound over-sentimental. Sounds like Imagine Dragons and Lukas Graham at the same time. 5%

New Release Roundup: 17th May 2019

S.L.P. ft. Little Simz- Favourites: This is the first song to come out of this new project from Kasabian’s Serge and it sounds like a mix of ‘Empire’ era Kasabian and early Gorillaz; with an infectious groove throughout and the raw energy that Serge usually provides giving this track a massive sound. As usual, Little Simz shines on her verse and she matches the vibe of the track perfectly. 92% 

Biffy Clyro – Balance Not Symmetry: The Biff are back and sound the most energetic they have in a long time. ‘Balance Not Symmetry’ is a perfect mix of old, heavy Biffy and their newer stuff. This is apparently a song from an upcoming soundtrack to a film of the same name. It’s going to have a belter of a soundtrack then. 95%

Charli XCX and Lizzo – Blame It On Your Love: Charli proves again that she is one of the most consistent voices in pop on ‘Blame It On Your Love’. A rework of ‘Track 10’ from her Pop 2 Mixtape but with added Lizzo (who, of course, smashes it), this is a straight up pop banger. I expected a bit more from the two of them but can’t really complain. 85%

Kim Petras- Sweet Spot: ‘Sweet Spot’ sounds like if Daft Punk and Kylie collabed in about 2006; this is pure dance-pop at its best. This continues the run of great singles that Kim has had over the past few weeks, and if they carry on like this then her album is going to be rather good. 90%

Two Door Cinema Club – Satellite:  The beginning of this new track from TDCC sounds like the lads doing an impression of The Human League, but it soon expands into a shimmery discoy chorus. It’s standard Two Door stuff but with more of a new-wave twist than usual, and I think it works. 80%

Lana Del Rey – Doin’ Time: A nice, chill cover of the Sublime song isn’t what I expected from Lana, and I’m not sure we really need it, but it’s actually really well produced and the melody really suits her voice so, fair enough. 75%

Noel Gallagher’s High Flying Birds – Black Star Dancing: A slow, groovy number from Noel and the lads. It’s a bit of a grower, but it continues Noel’s experimental phase and his run of releasing some goood tunes. 75%

Snowblood – Into Your Heart: A really catchy song from Dani here; the lyrics are a bit repetitive but the instrumental has a really funky synth line. Simple but effective is the name of the game on ‘Into Your Heart’. 80%

The Black Keys – Go:  It’s certainly The Black Keys! It’s good, but its exactly what you would imagine it to sound like. Very advert friendly and toe-tappy. 60%

 

 

Little Simz – Grey Area Review

Leading off with the brilliant, urgent single ‘Offence’ is a brilliant way to start off Little Simz’ latest album, with it’s pure confidence and witty lyrics perfectly setting the tone for the rest of the project. This confidence is completely matched by her skill, making for one of the freshest rap albums in a long time.

‘Venom’ shows Simz at her fiercest on the album and it’s really impressive to see her attack a track at that speed, but the album isn’t all fast paced and hard-hitting, with tracks such as ‘Therapy’ and ‘Sherbert Sunset’ seeing her really open up with introspective lyrics.

‘Selfish’ features a really smooth, catchy hook provided by Cleo Sol and a really funky percussion beat and light piano backing that just sounds really luscious and full; the whole album sounds like it could be being played live.

Simz has picked her featured artists on ‘Grey Area’ very well, with Little Dragon and Michael Kiwanuka providing well-placed guest spots that provide softer, more soulful vocals that pair really with Simz’ harder hitting verses.

This album proves all of the hype that is surrounding Little Simz at the moment, showing an artist at the top of her game with a brilliant, bright album.

97%

 

Ariana Grande – Thank U, Next Review

This is Ariana’s second album in under 6 months. You’d be forgiven for thinking that this might mean the quality of the album wouldn’t be up to scratch compared to those she has spent more time on. She’s managed to make 2 albums in such a short space of time; her last was one of the best of 2018, this will probably be on year-end lists this time around.

The singles in the lead-up to this album were all up to her usual standard, with the title track being one of her most commercially successful to date, and it’s not hard to see why.

 

NASA and Bloodine are examples of what Ari does best; Confident, catchy pop tracks with great vocal performances & infectious hooks. ‘Thank U, Next’ has her strongest vocals to date throughout; keeping those breathy tones that make her voice distinctive but proving she has real vocal power. This is a more confident Ariana than we saw on Sweetener, with this being a completely solo effort with 0 features at all; quite apt for an album with self-love as one of its main themes.

‘Ghostin’ is one of the strongest cuts on the album; really showcasing Ariana’s voice with haunting, soft strings and spacious production. ‘Make Up’ is a bit of a forgettable track, and sounds like a left-over from her previous effort.

The album’s closer ‘Break Up With Your Girlfriend, I’m Bored’ has the difficult task of following big singles ‘7 Rings’ and the title track, and it doesn’t quite fit in with the flow in the tracklisting,& would have been much better suited to the middle of the album if anywhere, it’s a rather generic trap-inspired song that doesn’t amount to much at all; ‘ Thank U, Next’ would have been the perfect closer.

Overall, ‘Thank U, Next’ is a very solid pop album that should ensure Ari’s place at the top of pop for the time being.

80%

Nina Nesbitt – The Sun Will Come Up, The Seasons Will Change Review

This is Nina’s second album, and it’s been a long time in the making. With a myriad of record label troubles and other issues plaguing her path so far, it must take someone tough to come through and eventually put out an album, especially one like this.

‘The Sun Will Come Up..’ is a focused, brilliantly produced pop album with Nina’s crisp, controlled voice and new found confidence cutting through each and every song.

‘Is It Really Me You’re Missing’ is an honest, open point on the album that shows off Nina’s Voice with minimalist production and a soft piano backing, and the title track which closes the album is another example of great storytelling by Nina.

The run of tracks from ‘The Moments I’m Missing’ through to ‘Somebody Special’ show the quality of the songwriting on show here; most of the tracks here feel like they could be singles but the album still flows very well as a whole.

A great album that shows real promise for the future from Nina.

85%