Category: Reviews

Little Simz – Grey Area Review

by willyoumusicmag, posted in Music, Reviews

Leading off with the brilliant, urgent single ‘Offence’ is a brilliant way to start off Little Simz’ latest album, with it’s pure confidence and witty lyrics perfectly setting the tone for the rest of the project. This confidence is completely matched by her skill, making for one of the freshest rap albums in a long time.

‘Venom’ shows Simz at her fiercest on the album and it’s really impressive to see her attack a track at that speed, but the album isn’t all fast paced and hard-hitting, with tracks such as ‘Therapy’ and ‘Sherbert Sunset’ seeing her really open up with introspective lyrics.

‘Selfish’ features a really smooth, catchy hook provided by Cleo Sol and a really funky percussion beat and light piano backing that just sounds really luscious and full; the whole album sounds like it could be being played live.

Simz has picked her featured artists on ‘Grey Area’ very well, with Little Dragon and Michael Kiwanuka providing well-placed guest spots that provide softer, more soulful vocals that pair really with Simz’ harder hitting verses.

This album proves all of the hype that is surrounding Little Simz at the moment, showing an artist at the top of her game with a brilliant, bright album.

97%

 

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Ariana Grande – Thank U, Next Review

by willyoumusicmag, posted in Music, Reviews

This is Ariana’s second album in under 6 months. You’d be forgiven for thinking that this might mean the quality of the album wouldn’t be up to scratch compared to those she has spent more time on. She’s managed to make 2 albums in such a short space of time; her last was one of the best of 2018, this will probably be on year-end lists this time around.

The singles in the lead-up to this album were all up to her usual standard, with the title track being one of her most commercially successful to date, and it’s not hard to see why.

 

NASA and Bloodine are examples of what Ari does best; Confident, catchy pop tracks with great vocal performances & infectious hooks. ‘Thank U, Next’ has her strongest vocals to date throughout; keeping those breathy tones that make her voice distinctive but proving she has real vocal power. This is a more confident Ariana than we saw on Sweetener, with this being a completely solo effort with 0 features at all; quite apt for an album with self-love as one of its main themes.

‘Ghostin’ is one of the strongest cuts on the album; really showcasing Ariana’s voice with haunting, soft strings and spacious production. ‘Make Up’ is a bit of a forgettable track, and sounds like a left-over from her previous effort.

The album’s closer ‘Break Up With Your Girlfriend, I’m Bored’ has the difficult task of following big singles ‘7 Rings’ and the title track, and it doesn’t quite fit in with the flow in the tracklisting,& would have been much better suited to the middle of the album if anywhere, it’s a rather generic trap-inspired song that doesn’t amount to much at all; ‘ Thank U, Next’ would have been the perfect closer.

Overall, ‘Thank U, Next’ is a very solid pop album that should ensure Ari’s place at the top of pop for the time being.

80%

Nina Nesbitt – The Sun Will Come Up, The Seasons Will Change Review

by willyoumusicmag, posted in Music, Reviews

This is Nina’s second album, and it’s been a long time in the making. With a myriad of record label troubles and other issues plaguing her path so far, it must take someone tough to come through and eventually put out an album, especially one like this.

‘The Sun Will Come Up..’ is a focused, brilliantly produced pop album with Nina’s crisp, controlled voice and new found confidence cutting through each and every song.

‘Is It Really Me You’re Missing’ is an honest, open point on the album that shows off Nina’s Voice with minimalist production and a soft piano backing, and the title track which closes the album is another example of great storytelling by Nina.

The run of tracks from ‘The Moments I’m Missing’ through to ‘Somebody Special’ show the quality of the songwriting on show here; most of the tracks here feel like they could be singles but the album still flows very well as a whole.

A great album that shows real promise for the future from Nina.

85%

New Release Roundup – 1st Feb 2019

by willyoumusicmag, posted in Music, Reviews

Jaws – Do You Remember?: On this new single, Connor and co. have really stepped up the production value to a much grander, epic scale and it pays off massively, with the quality of the songwriting still being there; this sounds like Jaws on the scale of a band like Foals or Doves, and it bloody works. 92%

Billie Eilish – Bury a Friend: The beat on this song reminds me of a very, very low-key version of Kanye’s Black Skinhead. Pair this with some matching low-key spoken/sung verses by Billie and this makes for an interesting track, and it shows that Billie still has more variety up her sleeve. 85%

Wev – Find Yourself: A great piece of growing, developing dance music here from Wev; ‘Find Yourself’ has rings of early Disclosure and Jax Jones, but also it’s own, clear personality. 80%

Haiku Hands – Dare You Not To Dance: This new Haiku Hands track sounds like Warpaint, M.I.A. and Kero Kero Bonito all at the same time, and it’s absolutely brilliant. Slaps. 90%

Interpol – Fine Mess: I’m not sure what Paul Banks and the other two were going for here, but the production on the vocals is just TOO fuzzy and glitchy, making it a jarring, annoying listen, and underneath this is an underwhelming Interpol track. 20%

The Chemical Brothers – Got To Keep On: Can they make a bad track ever?? Standard Chem Bros stuff, but again it seems as fresh and relevant as ever. How do they do it? 90%

Circa Waves – Me, Myself and Hollywood: A lot more understated than their previous releases, this new single is my favourite they have ever released. Catchy, with great lyrics and a really controlled, focused performance. 80%

Sports Team -M5: The new Sports Team single ‘M5’ is Advert-Ready in the best possible way. Insanely catchy ‘ooh-oohs’ throughout the tracks and an incredibly powerful, blasting chorus make this one of the most exciting new singles I’ve heard from anyone in a long time. Sick. 95%

Ady Suleiman – Strange Roses: A really pretty ballad from Ady here, with ‘Strange Roses’ showcasing his really smooth, focused and controlled vocals that really make this track just.. lovely. 80%

King Gizzard and the Lizard Wizard – Cyboogie: Sounding like a mix between Bowie’s ‘Jean Genie’ and Daft Punk, this new King Gizzard track is a lot of fun, and very catchy, and of course with it being King Gizzard it’s well over the 6 minute mark in length. 75%

 

Bring Me The Horizon – amo Review

by willyoumusicmag, posted in Music, Reviews

‘amo’ is the latest album by Sheffield, their first since 2015’s ‘That’s The Spirit’. It’s a varied but focused project that’s miles away from their much heavier beginnings, but this shows a band who aren’t afraid to take risks. I think they paid off.

Lead single ‘MANTRA’ is still as punchy and vital as when it first dropped a few months ago, with it’s personal, timely lyrics about mental health and instantly infectious guitar hook, it’s the one of the best songs they’ve ever written, not a bad start.

‘nihilist blues’ features Grimes. The existence of this collab is enough to turn heads in itself, and the track will probably do the same to long-time fans. A heavy dance number with vocals from Grimes alongside Oli sounds wildly different to Mantra on first listen, but in the context of the whole album it just works.

Tracks like ‘in the dark’ and ‘ wonderful life’ are two more cuts that contrast eachother in terms of heaviness but the great songwriting and production really tie everything together here, with even the glitchy instrumental tracks like ‘ouch’ and the very poppy ‘medicine’ all slotting in perfectly. There are touching moments on the album too, with ‘mother tongue’ and ‘i don’t know what to say’ seeing Oli really opening up about subjects like grief and love.

They took some big risks and have taken a lot of slack for changing their sound, but ‘amo’ is a great album, no matter what genre it is.

90%

 

New Release Roundup – 25th Jan 2019

by willyoumusicmag, posted in Music, Reviews

Vampire Weekend – Harmony Hall: Vampire Weekend return with their first music since 2013 with 2 new singles, the first of which being ‘Harmony Hall’. They haven’t lost it – Harmony Hall is a great comeback single; an upbeat, Primal Scream-esque track with all the trademark VW touches. It’s nothing revolutionary from them, but it’s exactly what you want. 90%

Vampire Weekend – 2021: The second of the 2 singles, ‘2021’ is much calmer and understated, with Ezra reflecting on the future over a lullaby like soft synthy backing. Very nice. 80%

The Islas – A Generation To Forget: This is the debut EP from Norwich indie rock band The Islas, and it’s a great, punchy collection of tracks, with highlights being the short but sweet ‘Hits & Misses’ and the heartfelt ‘Somewhere in Between’. 70%

JK COLLECTIVE – Keep on Crashing: ‘Keep on Crashing’ is the debut single from Alt-Pop duo JK COLLECTIVE, and it is a low-key but really catchy synthy tune, with slight echoes of The 1975 and new Bring Me The Horizon mixed in. 75%

Pip Blom – Daddy Issues: So far, there have been no bad songs from Pip Blom. ‘Daddy Issues’ continues that trend; a really strong riff drives this energetic, punky track that sounds a bit like Courtney Barnett and Franz Ferdinand at the same time, which turns out sounding very nice indeed. 94%

Blaenavon – Catatonic Skinbag: This new Blaenavon track is a cool, punky cut that shows the group still have that driving energy that garnered our attention in the first place. Nice harmonies on the verses too. 80%

Crows – Chain of Being: In my opinion, Crows sound like a heavier version of Doves (I didn’t even realise the bird name connection until I finished typing that) That’s fine by me, and ‘Chain of Being’ is a brilliant piece of progressive rock. 83% 

Lauv & Troye Sivan – This will probably become a big hit because the chorus is so simple, but extremely effective. 70%

Malory – Blue Umbrella: ‘Blue Umbrella’ is a chill, breezy upbeat track with a really catchy chorus and clicky-clacky instrumental. It’s very pleasant and Malory’s vocals are really sweet and fit the track well. 70%

Diplo ft. Niska – Boom Bye Bye: This is just really, really annoying. 20%

Parekh & Singh – Hello: My favourite duo from Kolkata return with a really lovely new single. ‘Hello’ builds on the sound of their debut album with more complex production and songwriting, but still maintains the charm that made me love them the first time around. 95%

Dua Lipa- Swan Song: Taken from the upcoming movie ‘Alita’, this new song from Dua is a bit better than the quality of song you’d expect to be made for a movie, but it never reaches the levels of her bigger singles from the past few years. 60%

Feet – English Weather: The new tune from Feet is a brilliant, groovy cut with an almost annoyingly catchy chorus. You’d better pack an umbrella. 90%

 

 

 

 

 

James Blake – Assume Form Review

by willyoumusicmag, posted in Music, Reviews

The new album from Singer/Producer James Blake can be a bit of a mixed bag, and seems a bit one-note at the beginning, but when it gets into its stride and you give it more listens, it’s not hard to see why he gathers so much attention, this being his best project to date.

‘Tell Them’ is a mesmerising, low-key trap infused track, with great features from Moses Sumney and Metro Boomin, with Moses’ vocals melding really well with James. This flows beautifully into the more sombre and touching ‘Into The Red’, which is a genuinely lovely tribute to Jameela Jamil, his current girlfriend.

Rosalia’s vocals are silky smooth as always on the track ‘Barefoot In The Park’, again James showing he knows who fits in well with his own sound, and the following track ‘Can’t Believe The Way We Flow’ continues a great run of tracks.

‘Where’s The Catch?’ with Andre 3000 is my favourite track on the album, with Andre unsurprisingly delivering an amazing verse over a great, complex beat provided by James, with the track shifting from calmer chill-hop to glitchier beats effortlessly.

‘I’ll Come Too’ is another heartfelt ballad, set to slightly spooky sounding theramin-esque backing synths and strings, but it works really well.

This is James at his best: honest, open and with all his emotions on his sleeve, allowing him to make the best music he ever has.

82%