KCTMO is the debut single from new London band Pozi, written during the aftermath of the Grenfell tower fire.
The track itself is a brutally honest, open-hearted encounter of what it was like to be near Grenfell at the time, and the anger Vocalist & Drummer Toby Burroughs felt; with lyrics like ‘Deadly damages are due’ Pozi aren’t holding back. Good.
Sonically, the track comes in somewhere halfway between the Maccabees and The Streets. ‘KCTMO’ has an irresistible bassline and a pounding drumbeat that really grab your attention, and the haunting violin that creeps in throughout keeps you hooked.
Very promising stuff for a debut single.
Pozi have 2 upcoming London shows:
31 Oct – London, The Curtain Hotel (PRAH Halloween Party)
27 Nov – London, Moth Club
‘Point of This is the second single from Glaswegian band Yakima. I very much like it.
With echoes of Teenage Fanclub and Spinning Coin, Yakima have a brilliant, shimmering lo-fi indie single in ‘Point of This’.
The track’s catchy riff and upbeat melodies give you a piece of summer in October, and the fuzzy, layered vocals really take you to another place for about 2 minutes. Lovely stuff.
Very much looking forward to hearing more from Yakima.
The band have 2 upcoming dates in Glasgow:
Thursday 1st November – Yala! Night, McChuills, Glasgow
Saturday 7th December – Hug & Pint, Glasgow
Cover Photo by Neelam Khan Vela.
The Nottingham three piece’s second effort sees them grow in confidence and scale, with ‘Strange Entertainment’ being a confident, varied album. Every track on the album is different in pace and tone, but it still flows really well and feels like one coherent piece.
Opener and album highlight ‘Egg Hunt’ starts off with just vocals and bass before developing into a really groovy track with a great, catchy jangly riff that hasnt left my head in a few days.
‘It’s Not My Day’ is another fave off the album it being one of the heavier moments on Strange Entertainment, with very strong vocals from Lucy over a slow but punky backing, with brilliant creative drum patterns on this track.
Monsieur Automaton is another great track, and another change of pace with this being perhaps the fastest track on the album, and I love the harmonised vocals on the verses a lot here. Closer ‘Strange Was the Time’ is another growing, progressive track that shows off just how good the trio are musically.
With great production, variety and just banging songs throughout this is exactly the album Kagoule needed to make, and they pulled it off.
Kagoule have some upcoming UK tour dates:
Oct 31st – Leeds – Wharf Chambers
Nov 01st – Manchester – The Eagle Inn
Nov 02nd – Liverpool – EBGB’s
Nov 03rd – Nottingham – Rescue Rooms
Nov 07th – Margate – Tom Thumb Theatre
Nov 08th – Brighton – Prince Albert
Nov 09th – Portsmouth – The Loft
Nov 10th – Southampton – Heartbreakers
Nov 11th – Bristol – Rough Trade
Nov 19th – London – Moth Club
Car Quest is a clever little game. Imagine Rocket League, Super Monkey Ball and Monument Valley had a baby.
In Car Quest, you control… a car, who has to drive around Blocktaria in order to restore the world to its former glory. To do this, you must uncover several ‘artefacts’, that unlock new areas in the main hub that eventually lead to new areas, or ‘realms’, and also gradually your guide ‘Lord Blockstar’ remembers more about himself, and the world around him.
At the start, the game does feel a little bare bones, and the home world feels empty. However, the more you play, the more you explore and unlock meaning that it genuinely does feel like you’re restoring the world. The puzzles don’t vary much from ‘Find the next artefact’ but the ways you have to find them are very clever at times, and are surprisingly challenging.
Despite almost Metroid levels of backtracking, the game only feels repetitive in the beginning; as soon as the main hub opens up you can zoom around finding artefacts and pieces for the museum, and it feels very nice indeed. It runs very smoothly too, and with simple but effective graphics, it also looks great, and is a perfect fit on Switch.
Car Quest is a lovely puzzle game, and definitely worth a few hours of your time.
Car Quest is out now on the Nintendo eShop for £7.69.
I was sent ‘Car Quest’ free of charge in exchange for a review.
Self Esteem- Rollout: The strongest track from Rebecca LT so far in my opinion. A great hypnotic melody with great harmonies over a great, funky percussion track. Very promising for a debut full length. 90%
Ian Brown – First World Problems: It’s good to have the monkey man back, with a new solo album coming next year. This new track is a groovy number, and Ian’s voice sounds on top form. Very exciting. 84%
Razorlight – Carry Yourself: A fairly pleasant, non threatening indie tune from Razorlight here, its not bad at all but it would fit in perfectly in a sofa sale advert or the opening of a cookery show. 70%
Lauren Jauregui – Expectations: A smooth, soulful slow jam from Lauren J here that really showcases her strong vocals; showing real emotion and passion while maintaining good control. Gooood. 80%
Bring Me The Horizon ft. Dani Filth – Wonderful Life: The second single from BMTH’s upcoming ‘amo’ album is another top tune. A bit heavier than Mantra, but just as catchy and not too over the top. Dani puts in a good feature too. 81%
Mumford & Sons – If I Say: This would be an alright, subtle growing track but Marcus’ voice is so grating, especially when its the focus of the track. Nah. 30%
Gerard Way – Baby You’re a Haunted House: This new track from emo king Gerard Way is a glam rock esque rock banger. It’s My Chemical Romance meets The Sweet, and its not bad at all. 80%
Cardi B – Money: Not a fan of this one at all. Usually Cardi has some funny bars that show she is still down to earth but this just seems like a big brag-fest. 20%
Peter Raeburn – Note To Self: A lovely, thoughtful collection of songs from Peter here. Sounding somewhere inbetween Fleet Foxes and I am Kloot, ‘Note To Self’ has great, stripped back production. ‘Never Gone’ is an album highlight for me, with haunting harmonies throughout. 80%
Time ‘n’ Place is the second studio album from experimental British 3 piece Kero Kero Bonito, who on their debut EP ‘Intro Bonito’ and subsequent first album proved themselves to be one of the most exciting, inventive new groups around. Drawing from a wide range of influences, ‘Bonito Generation’ was a bright, colourful record.
Based on the opening track ‘Outside’, it is clear that KKB have not just made a ‘Bonito Generation 2’, with it being more guitar based and instantly heavier than most things on their debut. Don’t worry, the band’s charm is still here in abundance on Time ‘n’ Place, with KKB developing their sound while not losing any of what made them great the first time around.
‘Time Today’ is an early album highlight, with Sarah happily singing about how she has a day to herself. The album continues very strongly into ‘Only Acting’ which details how Sarah feels while performing live over a nice pop-punky backing, that brilliantly self destructs towards the end.
The whole album is just as strong, most songs telling specific, on the nose stories over innovative beats and utilising Sarah’s unique vocal style perfectly, with ‘Dump’ being a nice little story about a rubbish dump, and ‘Dear Future Self’ being a letter to future self.
Closing track ‘Rest Stop’ begins sounding like the end credit music to an old Sega game like Nights or Alex Kidd before exploding into what is essentially a few minutes of noise music with Sarah faintly singing in the background before fading out to just Sarah. Odd, but it works. Good.
You can buy Time ‘n’ Place here, or stream it below.
Bohemian Rhapsody chronicles Queen’s journey from their early pub days as Smile up until their iconic Live Aid performance. Despite press coverage leading up to the film’s release, it does not shy away from any aspect of Freddie’s life. While there was a slightly heavy focus on his relationship with Mary Austin, she was an important person in his life, and Freddie’s sexuality and illness are explored in full, and handled with respect, with a great performance from Rami Malek.
Rami absolutely shines as Freddie throughout, being almost the spitting image of him whether he is at his highest performing on stage, or at his lowest during his struggles with substance abuse and AIDS. The rest of the main cast were pretty spot on too, with Ben Hardy and Gwilym Lee perfect choices for Roger Taylor and Brian May respectively.
There were a few issues with pacing in the film, with the beginnings of Queen being very relatively quickly skimmed over, and I felt there wasn’t a need for a full recreation of their Live Aid set, but other than that I found Bohemian Rhapsody to be very enjoyable. Lighthearted and serious when it needed to be, and with great attention to detail when recreating iconic set-pieces.