Nick J.D. Hodgson Interview

Nick J.D. Hodgson just released his debut solo single, Suitable. I asked him some quick questions about the single, songwriting and more.

How does it feel to have your first solo single out?
I forgot how good it is to release music. It’s a very exciting moment when it actually goes live and people start to react to it. You always spend so long in the studio listening to the same bars that you almost become immune to it so when it comes out it suddenly feels fresh. As for being solo, yeh I like it. Lots of work to do cos I’m the label and publisher too but I’ve had 5 years off sooooo.

You’ve written and produced for a lot of other artists; are there any new upcoming acts that you would like to work with?
I think Jorja Smith is really good. She has an amazing effortless voice. Would be cool to write with her.

How does it differ writing stuff that will eventually have your own name on it compared to writing for others or as part of a band?
It’s easier in a way because I only have to get inside my head. Also you don’t have to try and please anyone else. Although It does mean you’ve got nowhere to hide which can be scary. In the band I had a drum kit in front of me, it’s a good place to keep your head down if people aren’t digging it!

What is your favourite album of the year so far?
There’s two. The Cribs, 24-7 Rock Star Shit and Jay Z 4:44

Listen to ‘Suitable’ below:

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Tramlines 2017 Review

FRIDAY

Opening up the main stage for this year’s Tramlines were local band Liberty Ship, who definitely deserved that big slot, providing an upbeat set of crowd-pleasing indie rock that kicked things off proper.

Following on from Liberty Ship were Scottish rockers Twin Atlantic.TA9.JPG

Drawing a big crowd fairly early on, Twin Atlantic were one of the tightest acts of the weekend, kicking their set off with ‘Whispers’ from last year’s GLA album.

After a few songs from them however, I had to dash over to the Devonshire Green stage to catch US Hip Hop Legends The Pharcyde. PS2.JPG

One of the most high-energy, fun sets of the weekend came from The Pharcyde.

Getting the crowd moving and making noise on every song, and Bootie doing his part from Dirty Harry by Gorillaz was one of my highlights of the weekend.

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Closing the Devonshire Green stage on Friday was Mercury nominated grime legend Kano.  Alongside an incredible live band, Kano performed cuts from his latest album, Made in The Manor alongside some old favourites. Many big grime acts have someone else to fill in the gaps when they need to take a breath bars, but Kano did not need that at all, effortlessly spitting even through the rain.

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SATURDAY

Saturday was wet. But that didn’t stop Sheffield. The first act of the day for me were the ever-brilliant Estrons.

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As punchy as ever, Estrons delivered a great set to an upbeat Dev Green crowd despite the threatening weather, with big hitters ‘Make a Man’ and ‘Drop’ getting the slightly damp crowd moving.

Next up were another act that I had seen a few times before, and knew that they would be great; Spring King.

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I was expecting a good crowd for Spring King, but they had the liveliest crowd of the weekend, with most songs ending up with a mosh pit, much to the delight of Tarek and co.

After a short, very wet interlude, it was time for the Saturday night headliners, Primal Scream.

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A large amount of people had left before Primal Scream had even started, the weather was that bad. But those who braved the rain knew they had made the right decision as soon as the opening of ‘Movin on Up’ blasted out across the Ponderosa. A greatest hits set in the biggest way possible, massive track like ‘Loaded’, ‘Rocks’ and ‘Come Together’ did their best to shake away the clouds.

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SUNDAY

Having mostly dried off from the night before, it was out to the main stage for Akala.

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Akala drew a massive crowd for 3 in the afternoon, bringing his fire from the booth to the Tramlines main stage.

After Akala’s short and sharp set, Loyle Carner took to the (very smartly dressed) stage.

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Launching into his set with ‘The Isle of Arran’, Loyle played a blinder of a set, getting a great reception from the main stage crowd. Witty lyrics with great delivery made for one of the highlights of the festival, with set closer ‘NO CD’ going off in a big way.

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After Loyle, it was back over to Devonshire Green for The Big Moon. tbm13.JPG

Starting off with ‘Silent Movie Susie’ before ripping through most of ‘Love in the 4th Dimension’, The Big Moon were one of the best acts of the weekend.

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Closing Tramlines 2017 were Metronomy.m6.JPG

Despite it being another wet one, the main stage was rammed. ‘Back Together’ from ‘Summer ’08’ kicked off Metronomy’s hit filled set, with ‘Old Skool’ from the same album following that. The whole hour was filled with memorable synth lines that got Sheffield grooving in the rain, from ‘The Bay’ right through to closer ‘Reservoir’. The final, and best act of the weekend.

Overall, another great year for Tramlines. Very well organised with very friendly, helpful staff and one of the most diverse festival lineups I have seen this year.

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