Nina Nesbitt – The Sun Will Come Up, The Seasons Will Change Review

This is Nina’s second album, and it’s been a long time in the making. With a myriad of record label troubles and other issues plaguing her path so far, it must take someone tough to come through and eventually put out an album, especially one like this.

‘The Sun Will Come Up..’ is a focused, brilliantly produced pop album with Nina’s crisp, controlled voice and new found confidence cutting through each and every song.

‘Is It Really Me You’re Missing’ is an honest, open point on the album that shows off Nina’s Voice with minimalist production and a soft piano backing, and the title track which closes the album is another example of great storytelling by Nina.

The run of tracks from ‘The Moments I’m Missing’ through to ‘Somebody Special’ show the quality of the songwriting on show here; most of the tracks here feel like they could be singles but the album still flows very well as a whole.

A great album that shows real promise for the future from Nina.

85%

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Green Book – Movie Review

Green Book is a movie about master pianist Don Shirley and how he negotiated a tour of the deep south of the U.S.A in 1962. Don is played by Mahershala Ali, and his newly recruited driver/road manager Viggo Mortensen. The two of them are simply brilliant on-screen together.

Green Book is nominated for several Oscars, and it’s clear to see why. It manages to be funny, charming and tackle the issue of segregation in the deep south without the movie ever becoming too preachy or patronising to the viewer. The titular Green Book is

Both Viggo and Mahershala shine in their respective roles and are fully believable as their characters. The surrounding cast are also brilliant, with none of the characters seeming one-dimensional or shoehorned in; you can believe everybody shown has their own story.

Throughout the film, you witness Tony Lip’s character development while seeing Dr Shirley slowly warm up to his ways, and this slow-burn friendship is genuinely heartwarming, and seeing the chemistry between the two characters grow is the real heart of Green Book.

A truly great movie.

95%

Bring Me The Horizon – amo Review

‘amo’ is the latest album by Sheffield, their first since 2015’s ‘That’s The Spirit’. It’s a varied but focused project that’s miles away from their much heavier beginnings, but this shows a band who aren’t afraid to take risks. I think they paid off.

Lead single ‘MANTRA’ is still as punchy and vital as when it first dropped a few months ago, with it’s personal, timely lyrics about mental health and instantly infectious guitar hook, it’s the one of the best songs they’ve ever written, not a bad start.

‘nihilist blues’ features Grimes. The existence of this collab is enough to turn heads in itself, and the track will probably do the same to long-time fans. A heavy dance number with vocals from Grimes alongside Oli sounds wildly different to Mantra on first listen, but in the context of the whole album it just works.

Tracks like ‘in the dark’ and ‘ wonderful life’ are two more cuts that contrast eachother in terms of heaviness but the great songwriting and production really tie everything together here, with even the glitchy instrumental tracks like ‘ouch’ and the very poppy ‘medicine’ all slotting in perfectly. There are touching moments on the album too, with ‘mother tongue’ and ‘i don’t know what to say’ seeing Oli really opening up about subjects like grief and love.

They took some big risks and have taken a lot of slack for changing their sound, but ‘amo’ is a great album, no matter what genre it is.

90%

 

Vice – Movie Review

Christian Bale stars as Vice President Dick Cheney in a movie that manages to be genuinely funny, while still openly angry and dismayed at it’s main star.

The whole cast put in brilliant performances, with the central couple of Christian Bale and Amy Adams as Dick and Lynne Cheney being exceptional, alongside Sam Rockwell being perfect as George W Bush.

Vice is a very angry movie, (rightly so) but it funnels this anger at times through humour and light-heartedness, meaning some of the cuts between scenes almost give you whiplash; at one moment you’re laughing at witty text on the screen then suddenly you’re looking at graphic scenes of torture.

The way the story of Dick is told is very clever; I was gripped throughout – from his early alcohol troubled years all through his rise to become the most powerful Vice President in history, and it was very interesting and disheartening to see how he manipulated and took advantage of those around him to gain more power.

A must-see for anyone remotely interested in politics, and it might be even more important for those who aren’t.

85%

New Release Roundup – 25th Jan 2019

Vampire Weekend – Harmony Hall: Vampire Weekend return with their first music since 2013 with 2 new singles, the first of which being ‘Harmony Hall’. They haven’t lost it – Harmony Hall is a great comeback single; an upbeat, Primal Scream-esque track with all the trademark VW touches. It’s nothing revolutionary from them, but it’s exactly what you want. 90%

Vampire Weekend – 2021: The second of the 2 singles, ‘2021’ is much calmer and understated, with Ezra reflecting on the future over a lullaby like soft synthy backing. Very nice. 80%

The Islas – A Generation To Forget: This is the debut EP from Norwich indie rock band The Islas, and it’s a great, punchy collection of tracks, with highlights being the short but sweet ‘Hits & Misses’ and the heartfelt ‘Somewhere in Between’. 70%

JK COLLECTIVE – Keep on Crashing: ‘Keep on Crashing’ is the debut single from Alt-Pop duo JK COLLECTIVE, and it is a low-key but really catchy synthy tune, with slight echoes of The 1975 and new Bring Me The Horizon mixed in. 75%

Pip Blom – Daddy Issues: So far, there have been no bad songs from Pip Blom. ‘Daddy Issues’ continues that trend; a really strong riff drives this energetic, punky track that sounds a bit like Courtney Barnett and Franz Ferdinand at the same time, which turns out sounding very nice indeed. 94%

Blaenavon – Catatonic Skinbag: This new Blaenavon track is a cool, punky cut that shows the group still have that driving energy that garnered our attention in the first place. Nice harmonies on the verses too. 80%

Crows – Chain of Being: In my opinion, Crows sound like a heavier version of Doves (I didn’t even realise the bird name connection until I finished typing that) That’s fine by me, and ‘Chain of Being’ is a brilliant piece of progressive rock. 83% 

Lauv & Troye Sivan – This will probably become a big hit because the chorus is so simple, but extremely effective. 70%

Malory – Blue Umbrella: ‘Blue Umbrella’ is a chill, breezy upbeat track with a really catchy chorus and clicky-clacky instrumental. It’s very pleasant and Malory’s vocals are really sweet and fit the track well. 70%

Diplo ft. Niska – Boom Bye Bye: This is just really, really annoying. 20%

Parekh & Singh – Hello: My favourite duo from Kolkata return with a really lovely new single. ‘Hello’ builds on the sound of their debut album with more complex production and songwriting, but still maintains the charm that made me love them the first time around. 95%

Dua Lipa- Swan Song: Taken from the upcoming movie ‘Alita’, this new song from Dua is a bit better than the quality of song you’d expect to be made for a movie, but it never reaches the levels of her bigger singles from the past few years. 60%

Feet – English Weather: The new tune from Feet is a brilliant, groovy cut with an almost annoyingly catchy chorus. You’d better pack an umbrella. 90%

 

 

 

 

 

James Blake – Assume Form Review

The new album from Singer/Producer James Blake can be a bit of a mixed bag, and seems a bit one-note at the beginning, but when it gets into its stride and you give it more listens, it’s not hard to see why he gathers so much attention, this being his best project to date.

‘Tell Them’ is a mesmerising, low-key trap infused track, with great features from Moses Sumney and Metro Boomin, with Moses’ vocals melding really well with James. This flows beautifully into the more sombre and touching ‘Into The Red’, which is a genuinely lovely tribute to Jameela Jamil, his current girlfriend.

Rosalia’s vocals are silky smooth as always on the track ‘Barefoot In The Park’, again James showing he knows who fits in well with his own sound, and the following track ‘Can’t Believe The Way We Flow’ continues a great run of tracks.

‘Where’s The Catch?’ with Andre 3000 is my favourite track on the album, with Andre unsurprisingly delivering an amazing verse over a great, complex beat provided by James, with the track shifting from calmer chill-hop to glitchier beats effortlessly.

‘I’ll Come Too’ is another heartfelt ballad, set to slightly spooky sounding theramin-esque backing synths and strings, but it works really well.

This is James at his best: honest, open and with all his emotions on his sleeve, allowing him to make the best music he ever has.

82%

Dodie – Human EP Review

The latest EP from Dodie is her best project yet, with brutally honest and open lyrics paired with a selection of the best produced and written tracks the singer-songwriter has put out so far.

‘Monster’ is a brilliant track; it’s one of those songs that appear simple upon first listen, but the instrumental with its groovy synth pattern and developing layers is really deep and complex, and the backing vocals are lovely too. Her best one to date.

‘Not What I Meant’ has Dodie pair up with Lewis Watson, and the duo’s voices blend really nicely together for a really pleasant, chill folky ballad that reminded me a bit of Seth Lakeman. The Title track, ‘Human’ with Tom Walker is another example of how hard hitting her lyrics can be ; specific to her experiences but again so relatable they are especially effective paired with those vocals and haunting melody.

To me, ‘If I’m Being Honest’ sounds like a track that would fit right into ‘La La Land’ or ‘Mary Poppins’, and that’s in no way a bad thing; it plods along in the nicest way and I can picture her walking along in the rain singing it in some kind of musical.

A great EP that shows Dodie just keeps improving, and shows real promise for a potential full album; but if the quality of her EPs keeps up like this, i’m not sure she needs to do one.

85%