Metronomy – Metronomy Forever Album Review

‘Metronomy Forever’ is the group’s 6th album. Most groups would have run out of ideas by then, but this album proves that Metronomy are still one of the most inventive, consistent bands in the world, with the project bearing several of their best songs to date.

The album kicks off with a short, dreamy instrumental piece called ‘Wedding’, with distorted church bells and synths being foreshadowing for the themes of this album, and one of it’s strongest tracks. ‘Whitsand Bay’ opens the album proper, and it’s a perfect blend of Metronomy old and new, with a low key, spoken chorus over an ever-shifting instrumental.

‘Insecurity’ is one of the highlights on the album, Joe gets straight to the point about said insecurity and the feeling that it could be one of the only constants in his life. A bursting guitar riff and catchy synth lines throughout the track make it really difficult to shift from your head. ‘Salted Caramel Ice Cream’ is almost annoyingly good. It sounds like a mixture of Crazy Frog and Mika, but it’s one of the best tracks Metronomy have ever put out; it’s a perfect pop song.

‘Lately’ is another of Metronomy’s best ever songs in my opinion. The layers of instruments build up throughout the track to an amazing shower of synths, and the off-kilter melody in the chorus is nothing short of magical. Another great track comes in the form of ‘Sex Emoji’, a bittersweet tale of an online relationship told through a groovy synth-pop tune.

There are a handful of instrumental tracks on ‘Metronomy Forever’, and the standout for me is ‘Miracle Rooftop’, which is perfect to completely zone out to and look out the window, and I mean that as a great compliment. ‘Wedding Bells’ sounds almost like Metronomy doing a Bruce Springsteen song, and it works amazingly, and is another absolute earworm.

It’s so refreshing to see a band at this level in their career improve with every release. This is the best Metronomy album to date. Metronomy Forever indeed.

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Tramlines 2017 Review

FRIDAY

Opening up the main stage for this year’s Tramlines were local band Liberty Ship, who definitely deserved that big slot, providing an upbeat set of crowd-pleasing indie rock that kicked things off proper.

Following on from Liberty Ship were Scottish rockers Twin Atlantic.TA9.JPG

Drawing a big crowd fairly early on, Twin Atlantic were one of the tightest acts of the weekend, kicking their set off with ‘Whispers’ from last year’s GLA album.

After a few songs from them however, I had to dash over to the Devonshire Green stage to catch US Hip Hop Legends The Pharcyde. PS2.JPG

One of the most high-energy, fun sets of the weekend came from The Pharcyde.

Getting the crowd moving and making noise on every song, and Bootie doing his part from Dirty Harry by Gorillaz was one of my highlights of the weekend.

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Closing the Devonshire Green stage on Friday was Mercury nominated grime legend Kano.  Alongside an incredible live band, Kano performed cuts from his latest album, Made in The Manor alongside some old favourites. Many big grime acts have someone else to fill in the gaps when they need to take a breath bars, but Kano did not need that at all, effortlessly spitting even through the rain.

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SATURDAY

Saturday was wet. But that didn’t stop Sheffield. The first act of the day for me were the ever-brilliant Estrons.

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As punchy as ever, Estrons delivered a great set to an upbeat Dev Green crowd despite the threatening weather, with big hitters ‘Make a Man’ and ‘Drop’ getting the slightly damp crowd moving.

Next up were another act that I had seen a few times before, and knew that they would be great; Spring King.

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I was expecting a good crowd for Spring King, but they had the liveliest crowd of the weekend, with most songs ending up with a mosh pit, much to the delight of Tarek and co.

After a short, very wet interlude, it was time for the Saturday night headliners, Primal Scream.

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A large amount of people had left before Primal Scream had even started, the weather was that bad. But those who braved the rain knew they had made the right decision as soon as the opening of ‘Movin on Up’ blasted out across the Ponderosa. A greatest hits set in the biggest way possible, massive track like ‘Loaded’, ‘Rocks’ and ‘Come Together’ did their best to shake away the clouds.

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SUNDAY

Having mostly dried off from the night before, it was out to the main stage for Akala.

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Akala drew a massive crowd for 3 in the afternoon, bringing his fire from the booth to the Tramlines main stage.

After Akala’s short and sharp set, Loyle Carner took to the (very smartly dressed) stage.

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Launching into his set with ‘The Isle of Arran’, Loyle played a blinder of a set, getting a great reception from the main stage crowd. Witty lyrics with great delivery made for one of the highlights of the festival, with set closer ‘NO CD’ going off in a big way.

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After Loyle, it was back over to Devonshire Green for The Big Moon. tbm13.JPG

Starting off with ‘Silent Movie Susie’ before ripping through most of ‘Love in the 4th Dimension’, The Big Moon were one of the best acts of the weekend.

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Closing Tramlines 2017 were Metronomy.m6.JPG

Despite it being another wet one, the main stage was rammed. ‘Back Together’ from ‘Summer ’08’ kicked off Metronomy’s hit filled set, with ‘Old Skool’ from the same album following that. The whole hour was filled with memorable synth lines that got Sheffield grooving in the rain, from ‘The Bay’ right through to closer ‘Reservoir’. The final, and best act of the weekend.

Overall, another great year for Tramlines. Very well organised with very friendly, helpful staff and one of the most diverse festival lineups I have seen this year.

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Tramlines 2017 Picks

Tramlines 2017 is just around the corner, and with so many acts to choose from, here are a few of my acts you would be silly to miss this summer in Sheff. Buy tickets here.

Friday
Kano (8:45pm Devonshire Green)

Off the back of his recent Mercury nominated album ‘Made in The Manor’, Grime legend Kano is my pick of the headline acts on Friday.

Twin Atlantic (7pm Main Stage)

Glaswegian rock band Twin Atlantic are sure to get the main stage going on Friday night, with big hit ‘Heart and Soul’ bound to be a crowd pleaser.

Saturday

Primal Scream (8:45pm Main Stage)

Scottish indie legends Primal Scream headline the main stage on Saturday, and with such big hits as ‘Rocks’ and ‘Movin on Up’ as well as material from their latest few albums, Bobby and co. will be one of the highlights of Tramlines 2017.

Estrons  (4:45pm Devonshire Green)

Having caught Estrons live a few times now, I know that the Welsh indie rockers are one of the most energetic acts out there.

Spring King (6pm Devonshire Green)

Spring King are a great live act, with drummer and lead singer Tarek always impressive to see. Tracks like ‘The Summer’ and ‘Who Are You’ are sure to be festival highlights.

Sunday

The Big Moon  (6:15pm Devonshire Green)

Having just released their brilliant debut album ‘Love in the 4th Dimension’, The Big Moon’s stellar indie sounds are not to be missed.

Metronomy (7:45pm Main Stage)

Metronomy headline Sunday night on the main stage, and their electro-indie hits are not to be passed on; big hits like ‘The Bay’ and ‘The Look’ as well as great new tracks from ‘Summer ’08’ will make this a great closer to the festival.

Loyle Carner (4:45pm Main Stage)

Loyle Carner impressed with his Debut album ‘Yesterday’s Gone’, with his sharp wit and genuine character coming through in his verses. ‘NO CD’ is a banger.

Here’s a playlist of the best tracks from each of these artists: