Who to watch at Tramlines 2019

Tramlines 2019 is just over a week away, and a wide variety of acts are going to be hitting Hillsborough Park in Sheffield on 19th-21st July! Here are my Top 5 picks for each day of the weekend.

Friday

Manic Street Preachers – 6:30pm, Main Stage

The Iconic Welsh band will bring their anthemic indie classics to the Main Stage on Friday Evening. Not to be missed.

Two Door Cinema Club – 8:15pm, Main Stage

The Northern Irish Indie icons will be headlining the Friday night of Tramlines, bringing tracks from their latest album ‘False Alarm’ alongside their biggest hits to Hillsborough Park.

The Seamonsters – 4:15pm, Leadmill Stage

The Seamonsters are one of the fastest rising bands in Sheffield at the moment, and will surely rise up the Tramlines line-up in years to come, so catch them here while you can.

Circa Waves – 5:15pm, Main Stage

Circa Waves will being their summery brand of indie rock to the Tramlines Main Stage on Friday evening.

The Futureheads – 8pm, Leadmill Stage

Sunderland legends The Futureheads are back! Catch them closing the Leadmill Stage on Friday with their punky, riff-filled set.

Saturday

Miles Kane – 4:30pm, Main Stage

One half of The Last Shadow Puppets and an Indie icon in his own right, Miles will be hitting the Main Stage on Saturday afternoon.

Reverend and the Makers – 5:45pm, Main Stage

Reverend and The Makers are Sheffield legends at this point. Their Tramlines set last year was pure madness and drew an enormous crowd, expect more of the same this year.

Johnny Marr – 7pm, Main Stage

It’s Johnny Fuckin Marr.

Anteros – 2:30pm, T’Other Stage

Upcoming indie-pop four piece Anteros recently released their debut album ‘When we Land’ and will be bringing it’s anthemic indie bops to T’other Stage on Saturday Afternoon/

The Japanese House – 7:15pm, Library Stage

A set filled with smooth, groovy indie pop is what to expect from The Japanese House, closing the Library Stage on Saturday night.

Sunday

Happy Mondays – 1:30pm, Main Stage

90s Icons Happy Mondays will be taking to the Main stage as special guests on Sunday afternoon.

Lewis Capaldi – 4:45pm, Main Stage

One of the biggest names in Pop right now, Lewis will be bringing his ballads and bops to the Main Stage on Sunday afternoon.

Doves – 7:45pm, T’Other Stage

Another indie reunion comes from Doves, who will be headlining T’Other stage on Sunday night.

Guest Singer – 2:45pm, Library Stage

Jake Cope aka Guest Singer is a real rising name in indie pop, and will bring his polished tunes to the Library stage on Sunday afternoon.

Nile Rodgers & Chic – 7:45pm, Main Stage

Nile Rodgers has potentially played on more hit songs than anybody else in history so this is not a set to be missed, with Nile and Chic bringing the weekend to a close in style.

 

 

 

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New Release Roundup: 17th May 2019

S.L.P. ft. Little Simz- Favourites: This is the first song to come out of this new project from Kasabian’s Serge and it sounds like a mix of ‘Empire’ era Kasabian and early Gorillaz; with an infectious groove throughout and the raw energy that Serge usually provides giving this track a massive sound. As usual, Little Simz shines on her verse and she matches the vibe of the track perfectly. 92% 

Biffy Clyro – Balance Not Symmetry: The Biff are back and sound the most energetic they have in a long time. ‘Balance Not Symmetry’ is a perfect mix of old, heavy Biffy and their newer stuff. This is apparently a song from an upcoming soundtrack to a film of the same name. It’s going to have a belter of a soundtrack then. 95%

Charli XCX and Lizzo – Blame It On Your Love: Charli proves again that she is one of the most consistent voices in pop on ‘Blame It On Your Love’. A rework of ‘Track 10’ from her Pop 2 Mixtape but with added Lizzo (who, of course, smashes it), this is a straight up pop banger. I expected a bit more from the two of them but can’t really complain. 85%

Kim Petras- Sweet Spot: ‘Sweet Spot’ sounds like if Daft Punk and Kylie collabed in about 2006; this is pure dance-pop at its best. This continues the run of great singles that Kim has had over the past few weeks, and if they carry on like this then her album is going to be rather good. 90%

Two Door Cinema Club – Satellite:  The beginning of this new track from TDCC sounds like the lads doing an impression of The Human League, but it soon expands into a shimmery discoy chorus. It’s standard Two Door stuff but with more of a new-wave twist than usual, and I think it works. 80%

Lana Del Rey – Doin’ Time: A nice, chill cover of the Sublime song isn’t what I expected from Lana, and I’m not sure we really need it, but it’s actually really well produced and the melody really suits her voice so, fair enough. 75%

Noel Gallagher’s High Flying Birds – Black Star Dancing: A slow, groovy number from Noel and the lads. It’s a bit of a grower, but it continues Noel’s experimental phase and his run of releasing some goood tunes. 75%

Snowblood – Into Your Heart: A really catchy song from Dani here; the lyrics are a bit repetitive but the instrumental has a really funky synth line. Simple but effective is the name of the game on ‘Into Your Heart’. 80%

The Black Keys – Go:  It’s certainly The Black Keys! It’s good, but its exactly what you would imagine it to sound like. Very advert friendly and toe-tappy. 60%

 

 

Little Simz – Grey Area Review

Leading off with the brilliant, urgent single ‘Offence’ is a brilliant way to start off Little Simz’ latest album, with it’s pure confidence and witty lyrics perfectly setting the tone for the rest of the project. This confidence is completely matched by her skill, making for one of the freshest rap albums in a long time.

‘Venom’ shows Simz at her fiercest on the album and it’s really impressive to see her attack a track at that speed, but the album isn’t all fast paced and hard-hitting, with tracks such as ‘Therapy’ and ‘Sherbert Sunset’ seeing her really open up with introspective lyrics.

‘Selfish’ features a really smooth, catchy hook provided by Cleo Sol and a really funky percussion beat and light piano backing that just sounds really luscious and full; the whole album sounds like it could be being played live.

Simz has picked her featured artists on ‘Grey Area’ very well, with Little Dragon and Michael Kiwanuka providing well-placed guest spots that provide softer, more soulful vocals that pair really with Simz’ harder hitting verses.

This album proves all of the hype that is surrounding Little Simz at the moment, showing an artist at the top of her game with a brilliant, bright album.

97%

 

Say Hello To: Elephant Trees

Manchester four-piece Elephant Trees have just released their latest single ‘4100’. Check the experimental indie cut out below, then find out a bit more about them in WYM’s Q&A.

Where did your band name come from?

“A group of trees in our home town that look like an elephant, they are the first signal of home after we’ve been away. ”


 
Is there a favourite venue of yours in your hometown and why do you like it?

“Personally, it’s got to be Guiseley Theatre. I grew up doing shows there and my brother got married there. There is so much history in this building and we always have fun playing it. ”


What is your favourite gig you have played so far? 

“Definitely Leeds Pride, it was the biggest crowd we’ve ever played to and the best, everyone just wanted to dance and so did we. “


If you had to describe your own sound, how would you put it? 

A chaotic sad disco party


Which band would you love to support?

“Florence and the Machine! Girl power and ginger power!”


Elephant Trees are playing the Brudenell in Leeds on the 28th Feb supporting Larkins, and Wakefield’s Weightless Festival on the 3rd August. You can check them out on Twitter at @theeletrees and instagram at @theelephanttrees

Ariana Grande – Thank U, Next Review

This is Ariana’s second album in under 6 months. You’d be forgiven for thinking that this might mean the quality of the album wouldn’t be up to scratch compared to those she has spent more time on. She’s managed to make 2 albums in such a short space of time; her last was one of the best of 2018, this will probably be on year-end lists this time around.

The singles in the lead-up to this album were all up to her usual standard, with the title track being one of her most commercially successful to date, and it’s not hard to see why.

 

NASA and Bloodine are examples of what Ari does best; Confident, catchy pop tracks with great vocal performances & infectious hooks. ‘Thank U, Next’ has her strongest vocals to date throughout; keeping those breathy tones that make her voice distinctive but proving she has real vocal power. This is a more confident Ariana than we saw on Sweetener, with this being a completely solo effort with 0 features at all; quite apt for an album with self-love as one of its main themes.

‘Ghostin’ is one of the strongest cuts on the album; really showcasing Ariana’s voice with haunting, soft strings and spacious production. ‘Make Up’ is a bit of a forgettable track, and sounds like a left-over from her previous effort.

The album’s closer ‘Break Up With Your Girlfriend, I’m Bored’ has the difficult task of following big singles ‘7 Rings’ and the title track, and it doesn’t quite fit in with the flow in the tracklisting,& would have been much better suited to the middle of the album if anywhere, it’s a rather generic trap-inspired song that doesn’t amount to much at all; ‘ Thank U, Next’ would have been the perfect closer.

Overall, ‘Thank U, Next’ is a very solid pop album that should ensure Ari’s place at the top of pop for the time being.

80%

Venue Talk: Polo on Brudenell Social Club, Leeds

I spoke to Leeds based trio Doe about their favourite live venue, which is Leeds’ Brudenell Social Club. They recently released catchy new single ‘On My End’; read why they like the Brudenell so much below!

Why do you like it so much?

Intimate, pretension free atmosphere with the best sound, the best selection of up and coming music and a great selection of beer.  Always has a friendly and engaged crowd, and its universally considered one of the best venues in the country. 

Have you ever played there?

Yes, we’ve played there a few times, always a treat. Leeds is our home town and we’ve had the chance to support some incredible bands there, plus host a few of our own shows. There is a new, second room there now too, which sounds just about as good. Although you can’t beat the Brudenell main room…
Who else have you seen there?
We have seen a great selection of bands there, a few of our favourites being Porches, Japanese Breakfast, Mitski and Big Thief.
 

Facts About The Brudenell:

  • The Social club was established December 8th, 1913
  • Kaiser Chiefs, Franz Ferdinand, The Cribs, Four Tet and The Fall have all played at the Social Club.
  • It is a community ‘non profitmaking’ venue, that holds charitable status.
  • Photography, Film and even Origami groups meet up at the Brudenell.

The Social Club have upcoming shows from Andy Burrows, Queen Zee, Doe, She Drew The Gun and The Orielles. Visit http://www.brudenellsocialclub.co.uk/whats-on to see all of their upcoming events!

Nina Nesbitt – The Sun Will Come Up, The Seasons Will Change Review

This is Nina’s second album, and it’s been a long time in the making. With a myriad of record label troubles and other issues plaguing her path so far, it must take someone tough to come through and eventually put out an album, especially one like this.

‘The Sun Will Come Up..’ is a focused, brilliantly produced pop album with Nina’s crisp, controlled voice and new found confidence cutting through each and every song.

‘Is It Really Me You’re Missing’ is an honest, open point on the album that shows off Nina’s Voice with minimalist production and a soft piano backing, and the title track which closes the album is another example of great storytelling by Nina.

The run of tracks from ‘The Moments I’m Missing’ through to ‘Somebody Special’ show the quality of the songwriting on show here; most of the tracks here feel like they could be singles but the album still flows very well as a whole.

A great album that shows real promise for the future from Nina.

85%