KCTMO is the debut single from new London band Pozi, written during the aftermath of the Grenfell tower fire.
The track itself is a brutally honest, open-hearted encounter of what it was like to be near Grenfell at the time, and the anger Vocalist & Drummer Toby Burroughs felt; with lyrics like ‘Deadly damages are due’ Pozi aren’t holding back. Good.
Sonically, the track comes in somewhere halfway between the Maccabees and The Streets. ‘KCTMO’ has an irresistible bassline and a pounding drumbeat that really grab your attention, and the haunting violin that creeps in throughout keeps you hooked.
Very promising stuff for a debut single.
Pozi have 2 upcoming London shows:
31 Oct – London, The Curtain Hotel (PRAH Halloween Party)
27 Nov – London, Moth Club
The Nottingham three piece’s second effort sees them grow in confidence and scale, with ‘Strange Entertainment’ being a confident, varied album. Every track on the album is different in pace and tone, but it still flows really well and feels like one coherent piece.
Opener and album highlight ‘Egg Hunt’ starts off with just vocals and bass before developing into a really groovy track with a great, catchy jangly riff that hasnt left my head in a few days.
‘It’s Not My Day’ is another fave off the album it being one of the heavier moments on Strange Entertainment, with very strong vocals from Lucy over a slow but punky backing, with brilliant creative drum patterns on this track.
Monsieur Automaton is another great track, and another change of pace with this being perhaps the fastest track on the album, and I love the harmonised vocals on the verses a lot here. Closer ‘Strange Was the Time’ is another growing, progressive track that shows off just how good the trio are musically.
With great production, variety and just banging songs throughout this is exactly the album Kagoule needed to make, and they pulled it off.
Kagoule have some upcoming UK tour dates:
Oct 31st – Leeds – Wharf Chambers
Nov 01st – Manchester – The Eagle Inn
Nov 02nd – Liverpool – EBGB’s
Nov 03rd – Nottingham – Rescue Rooms
Nov 07th – Margate – Tom Thumb Theatre
Nov 08th – Brighton – Prince Albert
Nov 09th – Portsmouth – The Loft
Nov 10th – Southampton – Heartbreakers
Nov 11th – Bristol – Rough Trade
Nov 19th – London – Moth Club
Self Esteem- Rollout: The strongest track from Rebecca LT so far in my opinion. A great hypnotic melody with great harmonies over a great, funky percussion track. Very promising for a debut full length. 90%
Ian Brown – First World Problems:It’s good to have the monkey man back, with a new solo album coming next year. This new track is a groovy number, and Ian’s voice sounds on top form. Very exciting. 84%
Razorlight – Carry Yourself:A fairly pleasant, non threatening indie tune from Razorlight here, its not bad at all but it would fit in perfectly in a sofa sale advert or the opening of a cookery show. 70%
Lauren Jauregui – Expectations: A smooth, soulful slow jam from Lauren J here that really showcases her strong vocals; showing real emotion and passion while maintaining good control. Gooood. 80%
Cardi B – Money:Not a fan of this one at all. Usually Cardi has some funny bars that show she is still down to earth but this just seems like a big brag-fest. 20%
Peter Raeburn – Note To Self: A lovely, thoughtful collection of songs from Peter here. Sounding somewhere inbetween Fleet Foxes and I am Kloot, ‘Note To Self’ has great, stripped back production. ‘Never Gone’ is an album highlight for me, with haunting harmonies throughout. 80%
Time ‘n’ Place is the second studio album from experimental British 3 piece Kero Kero Bonito, who on their debut EP ‘Intro Bonito’ and subsequent first album proved themselves to be one of the most exciting, inventive new groups around. Drawing from a wide range of influences, ‘Bonito Generation’ was a bright, colourful record.
Based on the opening track ‘Outside’, it is clear that KKB have not just made a ‘Bonito Generation 2’, with it being more guitar based and instantly heavier than most things on their debut. Don’t worry, the band’s charm is still here in abundance on Time ‘n’ Place, with KKB developing their sound while not losing any of what made them great the first time around.
‘Time Today’ is an early album highlight, with Sarah happily singing about how she has a day to herself. The album continues very strongly into ‘Only Acting’ which details how Sarah feels while performing live over a nice pop-punky backing, that brilliantly self destructs towards the end.
The whole album is just as strong, most songs telling specific, on the nose stories over innovative beats and utilising Sarah’s unique vocal style perfectly, with ‘Dump’ being a nice little story about a rubbish dump, and ‘Dear Future Self’ being a letter to future self.
Closing track ‘Rest Stop’ begins sounding like the end credit music to an old Sega game like Nights or Alex Kidd before exploding into what is essentially a few minutes of noise music with Sarah faintly singing in the background before fading out to just Sarah. Odd, but it works. Good.
Ariana Grande – No Tears Left To Cry: A great track from Ariana here. As soon as the really infectious beat kicks in after the intro i could tell it was going to be a bop. Ariana’s voice sounds great too here, with the spoken ‘shut your mouth’ refrains adding a real level of personality to the track, and the stronger vocal refrains are also excellent. The instrumental too grows on me with each listen, it’s really well layered with little details that creep in now and again. If the rest of her upcoming album is this good, we’re in for a treat. 96%
Father John Misty –
Disappointing Diamonds Are The Rarest of Them All: Another great track from Mr.Misty’s just announced album ‘God’s Favourite Customer’ out on the 1st of June. The usual FJM combination of witty lyrics and intricate melodies is here, and following on from ‘Mr.Tillman’ this is another track that indicates this album will not be as downbeat as Pure Comedy. 80%
Just Dumb Enough To Try: The most stripped back of the tracks we have heard from this new project so far, this song has a beautiful acoustic guitar backing and it really shows off Josh’s voice. 83%
Teleman – Submarine Life: A really groovy, chill instrumental on this new track from Teleman here, again the band have managed to change their sound without losing the charm that they bring into all of their tracks. Great production here from Boxed In too, he seems to work really well with Teleman. 80%
Blossoms – There’s a Reason Why (I Never Returned Your Calls): This is one of the best tracks Blossoms have released so far. A really catchy hook, chorus and great production make this a great pop track and Tom’s vocals sare very well suited to this production style. Very nice. 85%
Jorja Smith – Blue Lights: Jorja really is one of the best new vocalists in the UK right now, and this track really highlights just how good she is. Nice Dizzee samples near the end too. 80%
From opening track ‘I Love You Baby, I Love You Doll’, it is clear to see that this isn’t going to be a high energy album, but that is never what Parekh & Singh set out to do; the collection of songs are very chilled out, but in no way are they boring.
For a debut album, the quality of the songwriting is sublime, with the songs being simple on the surface, but with every listen to them you hear another little layer, or you notice a certain lyric a bit more. The best track on the album for me is ‘Panda’, with the track being inspired by the poetry of William Blake it is a dreamy, singable song that grows on you every time you hear it, as does the whole album.
Another highlight for me is ‘Ghost’. One of the slower tracks on the album, Ghost has some of the best lyrics on the album; “I’m partially a ghost, don’t you get too close” simple, but very effective.
‘Ocean’ is a stellar debut album, with each song telling its own story without feeling overwritten or too drawn out.
Kicking things off with a dramatic “Hello”, he had the crowd on his side from the first word. Lionel went straight into Running With The Night, and filled the early parts of his set with other massive solo and Commodores hits like Easy and Three Times a Lady.
Throughout the evening, you could start to see why Lionel has been able to keep such a high demand for shows for all these years, his on stage banter with the crowd was genuinely funny, and it came across real and unforced even in carefully planned set pieces. At one point in the show he pointed out a bag in the crowd and asked to see it, the bag turning out to be a piece of official merch that you could get from the stall.
Even in the lesser known songs, he managed to get the crowd going, with his enthusiasm not dropping at all through the set, slower songs like Still didn’t feel boring or out of place, but you knew you would be up dancing again on a few minutes time.
The final run of six songs made you realise just how many hits he actually has, with My Destiny, Say You, Say Me, Dancing on The Ceiling, Hello, We Are The World and All Night Long all coming thick and fast at the end.
At the beginning of the show, Lionel said that him and his band were going to play ‘All of the hits, all night long.’ He wasn’t lying.